We have declined to cover every Azealia Banks microfeud over the past couple months because:
A) we’d be working 80-hour workweeks, 30 hours of which would be spent refreshing Twitter, and
B) Banks has a point, in that you can’t turn every Twitter exchange into a beef, particularly for someone rather candid on Twitter, plus
C) it’s kind of shitty that people want to turn Azealia Banks, who has a promising career and one of the best songs of 2011, into a machine that spits out vaguely irritated tweets.
That said, Azealia Banks, fellow rapper Jim Jones and his fans apparently disagree over who used the term/idea “vamp” first. (Ignore, for the purposes of this feud, the fact that vampires have been a recurring trend for centuries)
The backstory can be found at that link, and it’s long and tedious and tiresome. Suffice it to say: this “feud’ is why may-or-may-not-be-official release “Succubi” exists, why “it takes a Harlem bitch to execute a Harlem bitch” is a representative line, and why almost every post and story is about the irritating Twitter stuff, rather than the music itself.
That music itself happens to be great: a grotto-dank nightmare of a beat by Araabmuzik that Azealia matches in menace. It’s not a standout single, but it’s probably not meant to be either; it just goes to show how good her one-offs can be. Wouldn’t it be awesome if everyone talked about how great a collaboration Banks/Araabmuzik would make? Or even if they could assess how well this fits Banks’ original statement (“VAMP: a very sexually/financially powerful woman who is usually characterized by a penchant for dark things; nighttime, witchcraft, .. Etc.”) Wouldn’t those be far less irritating to say and read?
Yeah, yeah, we know. Track’s still good.
The post If Azealia Banks Must Beef With Jim Jones, At Least We Got “Succubi” From It appeared first on Popdust.
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